New Story: Ozone, accepted by Camroc Press Review!

I’m extremely pleased to announce that my short fiction work, Ozone, has been accepted by Barry Basden, the editor of the Camroc Press. This is the very first appearance of any of my work in Camroc, although I’ve been trying for quite some time.

Camroc Press is especially known for intense emotional work, and for me Ozone was an attempt at a level of emotional honesty made public that I find uncomfortable. It was not an easy piece to write, and bit by bit I’m coming to terms with how to “reveal” this part of myself to readers.

Barry has told me the publishing que is backed up about six months, so the publication date on this piece is tbd; it’ll be much later this year. When the piece comes out, I’ll put up a post with the link so you can see what I attempted. In the meantime, a placeholder will go on my Published Stories page as a reminder it’s on the way.

Thanks.

P.S. As a follow up to my previous post, I’m nearly over my second terrible cold in two months, although I admit my appetite hasn’t returned yet… I fly west today and have already packed all my vitamins!

New Story: For Art’s Sake Accepted by Word Riot!

Huzzah!!

My flash fiction work, For Art’s Sake, has just been accepted by Kevin O’Cuinn, fiction editor at Word Riot.

This is a new milestone for me, a third piece of flash being pubbed in the same journal: Woo Hoo! (Deep endebted thankfulness to Kevin, as always.)

The pub date has not yet been determined but when it’s published I’ll let you all know with a joyous announcement and link for your reading pleasure. For now, a placeholder will go on the Published Stories page…

Thanks!

Gotham’s “A Very Short Story” Contest – Free Entry

Gotham Writer’s Workshop is an institution in New York City offering writing seminars on different topics like short story writing, novel writing, etc.

This year they are holding A Very Short Story Contest, with no entry fee. The deadline to enter is April 23rd.

The winner of the contest will get a free 10 week Gotham class, which is pretty sweet. (They offer in person classes and online, so don’t worry if you don’t live in the NYC metro area.)

The guidelines are simple: write a 10 word story, and those 10 words includes the title if you have one.

Here is the link if you are interested:

http://www.writingclasses.com/ContestPages/10W.php

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Enjoy and good luck!

 

New Story: Recyclables Now Live on Pure Slush!

Hi everyone,

I’m so excited! Matt Potter, Editor of Pure Slush, (a literary journal based in Australia) has sent the good word over the wires. My story Recyclables is now live on the Pure Slush website, within this month’s theme issue “The Office.”

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CLICK HERE to read this new piece of flash fiction!

http://pureslush.webs.com/recyclables.htm

Matt has asked me to let readers know there is a comments feature on the site. All comments posted to the story will become part of its history…so, write on people! Feel free to leave a comment if you like. :-)

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As I usually do a permanent link to this story will always be available on my Published Stories page so you can easily find it, and my “back catalogue.” ;-)

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Special Free Bonus! Pure Slush also publishes the Hue Questionnaire. It’s a “what’s your favorite color” on steroids, or in my case…maybe asteroids. Curious?

Click here and navigate to my name to read my answers:

http://pureslush.webs.com/authorsd.htm#903144735

ENJOY!

The Kenyon Review Short Fiction Contest

Normally I do not pay attention to short story contests. However, The Kenyon Review has just opened their electronic submissions link today, Feb 1st for anyone who wishes to enter their short fiction contest and they do not charge a reading or entry fee.

What I love about this contest is that it skews towards flash fiction writing, with an upper limit of 1200 words.

All you talented flash fiction writers who read my blog regularly… please consider clicking on the link below and submitting your best work to The Kenyon Review. You will have until Feb 28th to submit.

GOOD LUCK!

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LINK TO THE CONTEST INFO: http://www.kenyonreview.org/contests/short-fiction/

LINK TO SUBMITTABLE SUBMISSION FORM FOR CONTEST:

https://thekenyonreview.submittable.com/submit/79fe80e3-391a-4c22-acff-9d050998f81d

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Information about the contest:

The contest is open to all writers who have not yet published a book of fiction. Submissions must be 1200 words or fewer. There is no entry fee.

Katharine Weber, the Richard L. Thomas Chair in Creative Writing at Kenyon College and author of five critically-acclaimed novels, including Triangle and True Confections, will be the final judge.

The Kenyon Review will publish the winning short story in the Winter 2014 issue, and the author will be awarded a scholarship to attend the 2013 Writers Workshop, June 15th-22nd, in Gambier, Ohio.

New Story Accepted by Pure Slush!

Hi everybody,

Great news has come in over the wires from Matt Potter, editor of Pure Slush. He’s accepted a flash fiction piece called Recyclables for his February issue, with a theme of “the office.”

As usual, I will post an announcement and link when it goes live.

Thanks!

Carol

The Duotrope Dilemma

Writing and placing short stories may be fun and gratifying, but it’s not a way to get rich. Short story writers  write their work and submit to journals without expectation of payment most of the time. That may be unfortunate, but it’s the truth.

And it used to be true that the whole process was free from looking up your market in Duotrope to submitting via Submittable (formerly SubMishMash) as long as you didn’t submit to a place that charged reading fees, or contest fees (something I’ve discussed on the blog previously. In short, I don’t believe in paying reading or contest fees.)

But beginning Jan 2013, the Duotrope database has started requiring payment – either $5 a month or $50 if you sign up for a full year. Here’s what Duotrope says about what you can no longer access:

If I don’t subscribe, what will I miss out on?

  • You will no longer be able to run searches or browse the index of listings.
  • The information shown on individual market listings will be limited.
  • You won’t be able to access our calendar of deadlines, statistical reports*, or RSS feeds.
  • You will lose access to your control panel, including your submissions tracker

I have mixed feelings about it because I think Duo is a fantastic resource and I’ve enjoyed using it over the years, however, I think $50 for a one year subscription is too steep for most writers who are not getting paid for their work. If it had been half that I would have grumbled but signed up. At $50, I’m not signing up on principle, for now.

Also, I don’t see how the statistics on Duotrope will improve if they have a much smaller number of users reporting their submissions. I suspect the veracity of those statistics will plummet in usefulness unless they achieve a critical mass of people willing to pay. For the sake of Duotrope’s long term viability, I’d suggest they report on the number of paying subscribers they have in order to make clear the total population available to report their subs, but that’s my opinion.

And as for tracking my submissions on Duo, I was doing it more as a service to the editors of the journals where I submitted my work. I keep a separate tracking spreadsheet on my computer that has many more notes and information I find relevant. But individual markets — especially new markets — will potentially suffer from being under-reported due to a lack of user base for Duo because I strongly suspect the majority of users will not pay that fee.

Here are some alternatives for people who need to be able to browse listings to find small press markets to target.

Alternative small press literary magazine listings:

I’d like to hear from people on this one. Have you signed up for Duo, and if so, what was your thinking? If you decided not to use it, was it because of the expense or some other reason?

The Creaky Whirligig Gets Back Into Motion

After many months of thinking about writing, and doing the usual writerly procrastinating, I recently wrote a piece of flash fiction. When I had it well baked, I sent it around to a few journals.

Of the three places I sent it, two editors gave me personal replies in their rejections. Both told me they liked the imagery (one called it “luscious.”) I’m grateful for the personal replies; it’s been tough for me to get off my ass and do the work again. My reward is the direct feedback from these editors which is appreciated. It’s downright encouraging is what it is, actually.

So now I’ve re-written the piece again (for about the fifteenth time) and it’s current incarnation of 430 words is winging its way over to journal submission spot #4 (a newly hatched journal recommended to me by a friend. So if the good egg editors like that piece, it’ll be theirs for issue 2, should they want it.)

As any of my regular readers knows, I’m quite impatient with my writing process. I complain here regularly about how I need to write longer stories, and then poof I write another piece of flash fiction. Ha-freakin’-ha-ha, the joke is on me.

I was talking to one of my best friends who is a writer and novelist about this problem and he said he just writes and doesn’t edit while he is putting together a first draft. Then, to my horror, he pulled out FOUR yellow tablets filled with his scratchy handwriting and told me that this latest stuff he was writing was the result of several days work.

The thing that kills me is that this guy is an amazing storyteller, and he seems to have a never ending supply of stories he needs to write and then proceeds to write reams of pages. He has the opposite problem to mine, he usually has too much material and then has difficulty editing it down to something slender.

Not me though.

Here on my blog, I blabber on to the tune of 4-500, hell even 6-800 words at times. I let it all flow out and with a modicum of editing (sorry for the typos in advance) I publish my rant. (Anybody want to comment on all the random chatter on blogs? I’m guilty as charged.)

Why is it then, I ask you dear reader, that when I go to write a story I get the first 250-300 words down and then my heart freezes? I tentatively strike the keys to eke out another 50 or 100 words. I edit 330 words down to 250, up to 370, then down to 340. It’s a personal stock market of literary paranoia of whether I have included too much…or left out too much.

Somewhere in my archives is a humor blog post on an interview George Plimpton did with Hemingway. Hem posted a chart on his wall and notated: 450, 520, 400, etc. It was his daily word production. If I was producing 450 words a day I could write 3000+ word story in a week. (Ah, the joys of multiplication.) But I mean, hell, if Hem could make himself write 450 words a day then couldn’t I make myself write 100 words a day?

At least one of you, dear readers, has done the NaNoWriMo challenge. Or maybe you’re one of the rarified folks who wrote a novel and completed the manuscript. (Maybe you even got it published.) IF you have done it, how did you do it? Daily word counts? Writing binges fueled by diet cola beverage? I’d be pleased to hear your anecdotal experiences.

Write on…

May, June, July 2012 – Rejections

In February this year I shared a round of rejections with you, and as per many of subsequent blog posts, my submissions have slowed since May so not surprisingly my rejections are more spaced out as a result.

With that in mind, I’m sharing my May, June, and July 2012 rejections so you can see how it’s been going. The list is newest rejection to oldest, but I don’t think it matters.

  • Coriumpersonal rejection

My note on Corium: Prior to this rejection, I had 3 pieces I had to withdraw (Jan, April,  July) because stories were picked up by other journals. This time, even though I didn’t mention it, I subbed the piece exclusively, no sim-subs elsewhere. It wasn’t quite a fit, but I admire Lauren Becker, the editor, so I need to find a piece she likes. My quest continues.

  • The Journal of Compressed Creative Arts
  • Cur.ren.cy – personal rejection
  • Juked
  • Matchbook
  • Gargoyle – personal rejection

My note on Gargoyle: This was my first experience submitting to Gargoyle. Mad, mad props to Richard Peabody, the editor, who has been doing his thing on Gargoyle for decades. How he has time to send personal rejection notes is a mystery to me given that he’s getting hundreds of submissions in the brief window he opens once a year in preparation for the following year’s edition of the magazine.

  • Sycamore Review
  • Right Hand Pointing – personal rejection
  • Flywheel Magazine – personal rejection
  • Quarterly West
  • A Public Space

My note on A Public Space: Sent inquiry after 6 months on status. No reply. Re-sent inquiry one month later (at 7 month wait period.) Personal reply received that they were backlogged on reading and my piece was still under consideration. Standard rejection form sent two months later. Total wait time: 9 months.

  • Booth: A Journal
  • Camroc Press – personal rejection
  • AGNI
  • Fringe
  • The Collagist
  • Hobart (print)
  • Diagram – personal rejection
  • The Prose Poem Project
  • Dark Sky Magazine – personal rejection
  • Salamander
  • Gigantic – personal rejection
  • This Great Society
  • Bellvue Literary Review
  • Kenyon Review
  • Juked

There you have it, make of it what you will. As for me, I continue to be very pleased with the level of personal engagement I have with many editors and I just keep on doing what I can to get the work out there.

What else is there for a writer to do anyway? You just have to keep at it, day by day.

If you have a favorite journal you’ve been hitting up, an editor you admire, a journal that maybe didn’t treat you as you would have liked, or a ridiculous wait period followed by a standard form rejection, feel free to share any and all in the comments (you know the drill, people!)

Thanks

Getting the rust out of my submissions process

This summer has been a slower time for writing new stories and making new submissions. Over the past few weeks I started looking at what pieces still hadn’t been placed, and some of those items wound up getting posted to the blog.

Creative Non-Fiction pieces The Car of Your Dreams and Call Me Pookie were declined by 22 markets collectively and I decided, the heck with it, I’ll share the pieces with my known readers here rather than continue to wait and hope they get placed elsewhere. I’m glad I did because the responses on the blog were great and engaged people, lots of comments generated. It was all good.

Incidentally, Call Me Pookie was originally written in August 2011 and The Car of Your Dreams was born in January 2012. Yes, dear reader, those two blips on your radar that came across as blog posts were pieces under development for ages before you read them.

It can take a long time for a piece to get placed. Even short pieces, 200 words, 350 words…can take 6+ months to find a home, and their publishing date could be several more months after that. That’s why I try to keep a cache of stories on hand and circulating, once they are in good enough shape to get them out there. It’s an ongoing pipeline, where I’m creating and working on the stories, and when I feel the story is ready, I spend time figuring out which markets are most appropriate, send them out, wait for responses, and so forth. Many of you know this drill well.

Right now I have about 7 stories circulating in the pipeline. Only 3 of those were written early this year, 1 was written in 2009 (yep, still trying, re-writing, and re-trying) and another 3 are from 2011. (There is actually an 8th story that may be beyond repair, sitting on my list as “under revision” … but I think it might mean “not likely to re-emerge from revision.”) Wait a second… I’m lying. There is a 9th story, a fairy tale I don’t keep on that list because it’s unique enough only to qualify for very selective submissions.

Oh, I have a pre-pipeline ideation phase too. I’ve got a bunch of ideas scrawled electronically in various files where I knew what I wanted to write about and started off with zeal and vigor, but for whatever reason did not continue working on the piece. These are not “under revision” as the sad case above, these are …hmmm, let’s call them “under development.” Ideas which are funny, or poignant, or dramatic, but mostly still in my head.

In order for me to replenish my pipeline of completed stories, I’ll need to go back to my pre-pipeline works, or start from scratch and apply more discipline to the time spent on getting it all done.

The nice thing about blog posts is I can talk all day long about the hypothetical stories I’m planning to finish, and I get a zing of pleasure at the thought. Hey, I’m completing a blog post along the way, so, hooray for me. :-)

But I’m left wondering if my lull represents a future gap in acceptances because I allowed my pipeline process to lapse? In the days when I was flush with stories, I’d swagger around knowing I had 4o+ submissions out simultaneously on 15 or more stories awaiting their homes. Lately I’ve been lucky to achieve 20 submissions sent on my diminishing pipeline. And of those 20 submissions, 14 of them were sent out in April of this year or earlier.

And while all this navel gazing about my rusty pipeline might make for an interesting read for fellow writers (at least I hope pulling back the veil on my process is interesting, helpful, or at a minimum amusing) the reality remains: just do it.

Get it done.

Ice cold diet cola beverage of choice at the ready, butt in chair, laptop humming, fingers tapping.

What is your writing process? Do you have a pipeline of stories or poems, or a pre-pipeline? How do you ensure you have enough material circulating or in development?

New Story Accepted by Atticus Books – Atticus Review!

Breaking news came in over the wires just moments ago: Jamie Iredell from Atticus Books / Atticus Review wrote to let me know they have accepted my flash fiction story Stuff I Buy Online for publication! 

I am such a big fan of the Atticus Review, it is fantastic this piece found a home with them and is my first story published with Atticus.

I don’t have the publication date yet, but I’ve put the placeholder in my “Upcoming Stories” section of my Published Stories page (along with the other piece awaiting a publication date from The Washington Pastime…)

This is my 23rd story accepted for publication, which is gratifying. As always when more information becomes available I will share it with you all, dear readers.

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