My Short Film Adventure – Post Production Editing

What could be better than squeezing into a tight editing room with a professional editor and the director of a short film for many hours? If you ask me, the writer of said film, nothing could be better. 🙂

Paul, our editor; Hiroshi Hara our director and me ... intently editing a scene from Jordan's Jackhammer

Paul, our editor; Hiroshi Hara our director and me … intently editing a scene from Jordan’s Jackhammer

This week, I was invited to participate in two multi-hour editing sessions and it was thrilling to watch all the footage being crafted into the final product.

What’s especially satisfying is seeing how we are able to use so much of the wonderful work our actors gave us in take after take while the film was being shot. There are some really incredible moments based on the performances.

Ramon at the editing session

Ramon at the editing session

And although I won’t give away any of the jokes in the film (because it is a comedy, after all) what I can tell you is that some of the jokes are full on belly laughs. The pacing seems to be coming together nicely too.

There were some important lessons learned for me during this process too.

For example, when the script is X number of pages, it doesn’t account for any organic creative ideas that can spontaneously arise on set and might add to the total length of the piece.

Also, it’s probably obvious but … the number of days of shooting have a huge impact on what you have to work with in the editing room. We were extremely fortunate to have had four full days of filming for this short. And you’d think four days is a lot of coverage, and it is, but when it comes to the number of takes, the angles of a shot … all of that contributes to the choices available when everything is being pieced together.

For anyone that’s never been in an editing room, the process is fascinating. You are literally going through the film second by second. I’m not exaggerating. All four of us (see photos above) had an extended discussion about a 35 second “mini-scene” in the film and debated over whether or not that segment should be shortened to 29 seconds. We were split 50/50 for a while, but eventually decided to keep the full 35 second version in the film.

Yes, it’s that specific.

And while we got very close to a final version, we’re still not 100% completed with our editing yet. We’re going to have additional viewing time to provide feedback.

Once we have a “film lock,” it means the final length of the film is locked and set. Once that happens, the footage can be handed over to our sound design guy for sound and sound effects (which are numerous throughout), and our composer for the music, and also for voice over talent too. (Yeah, we are pretty fancy shmancy!)

I was extremely encouraged by our editor’s comments that “the production values are very high” on our little film. If they are, it’s due to the wonderful backing of our executive producers Ramon and Mike, of course supported by the cast and crew. (The script may have had a little to do with it too. ;-D)

Now, if we’re very fortunate, once everything is done and ready to be shown… our executive producers will be able to get this short film into some film festivals too. But I don’t want to get too far ahead of myself; that would be another posting in the future!

 

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More Short Film Adventures – Filming the Short!

I am grateful that the Executive Producers Ramon Torres and Mike Karp have given me the go ahead to share top-secret backstage candid shots with you all on the making of our film project. 🙂

First, the cast is amazing! We have a talented set of actors playing the five roles in the movie. We had a table reading of the script on April 23rd. Here is the complete cast:

L - R: Ramon Olmos Torres, Jessica Zinder, Lou Martini, Barbara Ann Davison, and Kristoffer Infante

L – R: Ramon Olmos Torres, Jessica Zinder, Lou Martini, Barbara Ann Davison, and Kristoffer Infante

 

And then, this past weekend I was on the set to watch and participate in the filming. It was SO exciting!! It’s the first time I’ve ever seen a film being made, nevermind a film that I wrote being made.

 

It was surreal to see actors speaking my lines, and then when the take was over, having the crew cracking up (the film is a comedy). I was humbled to have several of the actors tell me they loved the script and thought it was funny. I can tell you the actors brought so much to the interpretation, they made whatever I wrote funnier.
Also our director, Hiroshi Hara, is doing an fantastic job!
Here are some candid behind the scenes shots:
Me in the middle being flanked by Kristoffer Infante (Doorman Ralph) and our wonderful Director, Hiroshi Hara!

Me in the middle being flanked by Kristoffer Infante (Doorman Ralph) and our wonderful Director, Hiroshi Hara!

 

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Lou Martini as Allen, the boss!

Lou Martini as Allen, the boss!

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Close up of Lou's lips on the monitor for a very funny moment in the movie

Close up of Lou’s lips on the monitor for a very funny moment in the movie

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It takes a LOT of equipment to make a film, and our crew has been really great including Andy Zou, our Assistant Director in the background

It takes a LOT of equipment to make a film, and our crew has been really great

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Ramon getting a make up touch up and his mic attached. (His character isn't sleeping which is why he looks like that!)

Ramon getting a make up touch up and his mic attached. (His character isn’t sleeping which is why he looks like that!)

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This coming weekend we will shoot the rest of the scenes and complete all of the filming. Everything has been shot on location in New York City, which is such a great backdrop for this story.

Then it’s off to editing for the final “making of the movie” along with the addition of the soundtrack and score and all the other bits needed for final polish.

More on this amazing, wonderful and exciting adventure soon!