What could be better than squeezing into a tight editing room with a professional editor and the director of a short film for many hours? If you ask me, the writer of said film, nothing could be better. 🙂
This week, I was invited to participate in two multi-hour editing sessions and it was thrilling to watch all the footage being crafted into the final product.
What’s especially satisfying is seeing how we are able to use so much of the wonderful work our actors gave us in take after take while the film was being shot. There are some really incredible moments based on the performances.
And although I won’t give away any of the jokes in the film (because it is a comedy, after all) what I can tell you is that some of the jokes are full on belly laughs. The pacing seems to be coming together nicely too.
There were some important lessons learned for me during this process too.
For example, when the script is X number of pages, it doesn’t account for any organic creative ideas that can spontaneously arise on set and might add to the total length of the piece.
Also, it’s probably obvious but … the number of days of shooting have a huge impact on what you have to work with in the editing room. We were extremely fortunate to have had four full days of filming for this short. And you’d think four days is a lot of coverage, and it is, but when it comes to the number of takes, the angles of a shot … all of that contributes to the choices available when everything is being pieced together.
For anyone that’s never been in an editing room, the process is fascinating. You are literally going through the film second by second. I’m not exaggerating. All four of us (see photos above) had an extended discussion about a 35 second “mini-scene” in the film and debated over whether or not that segment should be shortened to 29 seconds. We were split 50/50 for a while, but eventually decided to keep the full 35 second version in the film.
Yes, it’s that specific.
And while we got very close to a final version, we’re still not 100% completed with our editing yet. We’re going to have additional viewing time to provide feedback.
Once we have a “film lock,” it means the final length of the film is locked and set. Once that happens, the footage can be handed over to our sound design guy for sound and sound effects (which are numerous throughout), and our composer for the music, and also for voice over talent too. (Yeah, we are pretty fancy shmancy!)
I was extremely encouraged by our editor’s comments that “the production values are very high” on our little film. If they are, it’s due to the wonderful backing of our executive producers Ramon and Mike, of course supported by the cast and crew. (The script may have had a little to do with it too. ;-D)
Now, if we’re very fortunate, once everything is done and ready to be shown… our executive producers will be able to get this short film into some film festivals too. But I don’t want to get too far ahead of myself; that would be another posting in the future!